The presence of Murano glass at the Venice Biennale dates back to the early twentieth century when these precious, fragile artefacts were occasionally exhibited at the event. It was only from the 1910s onwards that glass works were exhibited on a regular basis as objects in their own right, appearing in the rooms of the central pavilion from 1912 to 1930. It was not until 1932 that glass and the decorative arts were given their own dedicated space in the Giardini with the construction of the Venezia pavilion. This volume examines this significant period which saw Murano glass gradually finding its place at the Venice Biennale, first through the artists choosing to use this material for their works, and later through the glassworks, sometimes drawing upon the creativity of painters and sculptors.