With a colossal curiosity and tireless dedication to his solitary studio practice, Argue stands as a thinker-painter admired by a growing circle of curators and collectors. His work has been shown in museums and galleries from New York (where three large paintings are on permanent view at One World Trade Center) to Sydney and from Vienna to Venice. His often giant canvases shed virtuosic light on Argue’s ongoing fascinations - with history, color, perspective, literature, language, music, science and technology. Inspired by such everyday subjects as chickens, leaves, books, dead buffaloes and floating letters, Argue may explore a single theme in multiple paintings over the course of many years, always pushing for new meanings. Minnesota-born Argue’s wildly expressionist early figurative paintings of hospital morgues, pool sharks, strippers and fervid landscapes earned him a solo show at contemporary Walker Art Center while he was still in his early 20s. The “sheer vitality” of those 1980s works are recalled in an essay by former Walker curator Elizabeth Armstrong, who also traces how Argue’s early passions evolved to inform his most recent work.