With this volume Fondazione Fotografia shows the work of one of the major twentieth-century artists whose output influenced the very conception of photography for generations to come. After abandoning pictorial photography, Weston turned his interest in the direction of realism, developing his own original style based on the quest for a pure form to express his contemporary world. He believed that the world around him, whether it be the face of a woman, a place, or a vegetable did not require special devices to be recorded: in fact, he felt that it is inside the mind that things become proud-looking sculptures, objects that seem to come to life on their own. This thoughtful selection of 110 photographs is an eloquent testimony to Weston’s teachings, bearing witness to the experiences that contributed to making him the artist he was.