i The book follows Wolski’s sustained engagement with the themes of organicity and the natural formOver the last three decades, Wolski has deployed a diversity of non-representational vocabularies to investigate the idea of unification between the individual self and nature. While primarily a sculptor, Wolski is concerned with the question of materiality, which he often sees as a form of philosophical inquiry in and of itself. Wolski’s practice often verges on the spiritual, although it maintains an active dialogue with the outside world. Wolski continues to examine wide-ranging and socially topical issues such as the relationship between the individual and one’s habitat, the role of nature as a guardian of human history, and nature’s influence on artistic and philosophical expression in the modern era.